Areas of expertise:
Burlesque
Ballet
Yoga
Dance history
Dance in American popular culture
Feminist & queer theories
Conference Presentations
2025 “We’re All a Little Gay!”: Queer Histories and Futurity in the “Van Ella Bordella” Burlesque Show.” American Society for Theatre Research.
2025 “Archives Unveiled: A Journey Through the Real History of Burlesque.” OSU Special Collection Symposium.
2025 “Nox Falls and Foxy Noxy: Sampling and Remixing in Neo-Burlesque Performance.” Popular Culture Association
2024 “Brothels and Burlesque: Race, Queerness, and Feminist Politics in the New Orleans "Van Ella Bordella” Burlesque Show.” National Women’s Studies Association
2024 “Chaotic Good Time: Fantasy, Feminism, and Queerness in Nerdlesque Performance.” Popular Culture Association
2023 “Legs and Eggs: New Orleans Burlesque Brunch.” National Women’s Studies Association
2023 “Rebel Queen: Star Wars Nerdlesque as Embodied Fan Fiction.” Popular Culture Association
2023 “Queer Glitter Magic: The Crescent City Burlesque Weekender Festival.” Women & Gender Studies South
2022 “Who Is That Girl I See? Ariana Amour’s Burlesque “Reflection.” National Women’s Studies Association
2022 “Ecstatic Spectacle: Oppositional Gaze and Hypervisibility in Perle Noire’s “Peacock Fantasy.” Dance Studies Association
2022 “Pole Tricks and Saving Stacks: “P-Valley” as a Workplace Drama.” Popular Culture Association
2021 “Queer Moves Through the Glass: The Allways Lounge Peep Show.” Dance Studies Association
2014 “Writing the New Burlesque.” Congress on Research in Dance/Society of Dance History Scholars
Book reviews
‘Hold On to That Feeling’: Baker Rogers’s King of Hearts: Drag Kings in the American South.” Dance Chronicle 47 (3): 592-595
Neo-Burlesque: Striptease as Transformation by Lynn Sally. Dance Research Journal 54 (2): 94–97.
I am an interdisciplinary scholar whose research is grounded in dance studies, feminist and queer theories, pop culture studies, history, and regionality.
My research focus is neo-burlesque performance in the United States, particularly the American South, asking how performers navigate, disrupt, transgress, and undermine narratives of white supremacy and heteropatriarchy, creating spaces of agency, resistance, and queer world-making.